The painters
Twenty full-time painters across three generations, with a core team working together since 2002. We publish their experience and what they work in, because that's what makes assigning by subject mean something.
Our senior painters also take on studio work for artists, in confidence. How that works
- Painter
- No. 03
- Years
- 26
- Works in
- Heavy texture, knife work
- Painter
- No. 07
- Years
- 24
- Works in
- Portrait, pet, skin tone
- Painter
- No. 09
- Years
- 22
- Works in
- Still life, floral
- Painter
- No. 11
- Years
- 21
- Works in
- Landscape, architecture
- Painter
- No. 12
- Years
- 22
- Works in
- Coastal, sky, water
- Painter
- No. 15
- Years
- 20
- Works in
- Still life, interiors
- Painter
- No. 18
- Years
- 23
- Works in
- Abstract, color field
- Painter
- No. 21
- Years
- 25
- Works in
- Master reproductions
We publish a working profile for each painter as part of every quotation: years at the easel, the subjects they work in, and the pieces they have delivered for you.
Why the same painter matters
In much of this trade, painters are interchangeable on paper. The painter who made your bestseller may not be there when you reorder, and nobody tells you.
Our painters work full-time in our studio, and every painting is paid to the painter who made it. So we always know whose hand is on a canvas, and a reorder goes back to that painter, working from the approved photo of the first. If they're unavailable, we tell you before we start rather than substituting quietly.
How assignment works
We read the subject before we read the schedule. A portrait goes to someone who spends their working life on faces; a heavy-texture abstract goes to someone who works with a knife. Assigning by availability is faster for us and worse for you.
What we don't publish
Painters are listed by number. Names and faces appear only with the painter's permission.